PDF Download Professional Photoshop: The Classic Guide to Color Correction (5th Edition)
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Professional Photoshop: The Classic Guide to Color Correction (5th Edition)
PDF Download Professional Photoshop: The Classic Guide to Color Correction (5th Edition)
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About the Author
Dan Margulis was one of the first three individuals—and the only writer—to be named as a member of the Photoshop Hall of Fame. In announcing his election, the National Association of Photoshop Professionals said, “Dan’s ability to reduce complicated concepts to words that users can understand and his insistence on dealing with real-world relevance have made him today’s most influential voice in color reproduction.” Dan’s 2006 best-seller, Photoshop LAB Color, revolutionized workflows. Channels expert David Biedny called Photoshop LAB Color “probably the most important Photoshop book ever written.”
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Product details
Paperback: 528 pages
Publisher: Peachpit Press; 5 edition (November 30, 2006)
Language: English
ISBN-10: 032144017X
ISBN-13: 978-0321440174
Product Dimensions:
8 x 1.1 x 10 inches
Shipping Weight: 3.2 pounds
Average Customer Review:
4.4 out of 5 stars
81 customer reviews
Amazon Best Sellers Rank:
#509,184 in Books (See Top 100 in Books)
I bought this book on Amazon sight unseen, after reading the glowing reviews. I wish I could return it. I consider myself above beginner level at Photoshop but found this book too difficult to follow. I found Dan Margulis' style of writing utterly frustrating and a bore to read. I may have gotten more out of this book if it was written in an easier to follow style like Katrin Eismann or Lee Varis' books. I also disliked the use of CMYK throughout the book. I have read others reviews and agree with one that this book is not 'user friendly'. Another reviewer says you will need to reread this book and I agree that is probably the case, however if you are like me you will struggle to read it through once. I'm desperate for a good book on colour correction but my search continues ...
Well, it appears that Amazon has folded all the 4th edition reviews into this new edition's page. I'm not sure what to think of that. This book is 90% new material, it is almost a new book entirely. It has similar goals to the previous editions though. So, here's a hint, if the review was written before the fall of 2006 it is about the older editions which are very different from the current edition.What NOT to expect:- Learn how to use photoshop, you better know this already- Step-by-step how-to algorithms for you to follow, you are taught concepts and generic techniques instead- 100% clarity on a first reading- Gobs on CMYK (you'd only expect this if you'd read older editions). Thankfully the book is far more balanced to modern workflows where we often don't need to go there anymore. Older editions were more CMYK based. That said, he includes all the relevant old material on the CD and this book still has way more CMYK than anything else out there. He is very balanced in his approach in my opinion, very refreshing.- The same as the old editions. Source and output technology change. Dan learns new tricks. Dan changes his mind on somethings. So does the rest of the community. There is LOTS that is new in this edition.What to expect:- Extremely powerful techniques. Their power lies in their flexibility, the problem is knowing when to use them and only experience will help you there. The book does give you some hints though, when it can.- A bit of contraversy. Dan has opinions. He states them clearly. He usually has good facts backing him up.- Having to play with actual images yourself to enitrely comprehend the whole. I personally have had no problems understanding each and every chapter just by reading, but you'll really need to start using what you've learned on real images to get a feel for what is needed where and when.- Occasionally obfuscated writing style. Dan seems to like to hide where he is going to make the result that much more exciting. It is not the best way to teach. To be fair, though, the start of each chapter says where we are going and the end says where we have been. Nonetheless you'll occasionally find yourself reading something twice - and at times I think this has more to do with the writing style than the concept really being that hard.Overall, if you are a photographer or work with photographs and are a experienced photoshop user (i.e. you know what a layer, channel, curve, and blend mode are and the very basics of using them) you will find a wealth of knowledge here not really available in any other resource. You will probably need to read it, or at least parts of it more than once. You'll probably need to read or refer to parts again after having tried them for awhile.People like to say this book is really hard. I don't think it is myself. I think instead the plethora of really poor Photoshop books out there that have a hand-holding, show every dang dialog box but not actually teach you anything approach have set the standards very very low. Photoshop is an extremely powerful program, much of what experts do with it is well beyond what the makers ever intended. Many photoshop books could just be replaced by a CD with photoshop actions on it since the books don't teach the reader anything other than by wrote algorithms. This book assumes you are willing to think a bit about what is going on under the hood and use that knowledge intelligently rather than copying out some steps.If you are new to photoshop this is not the book for you. I highly recommend Real World Photoshop CS2 by Fraser and Blatner as a well written in depth introduction to photoshop focusing on what photographers need from it. That said, Dan's book doesn't actually use very many Photoshop tools to begin with so you certainly only need to understand a relatively small feature set. You do need to be very comfortable with that feature set though.Final notes: The CD is excellent, containing lots of supplementary material and images from the text to work on yourself. It includes lots of material from previous editions which is still very useful to some people. The production quality of my copy was very impressive. Apparently Dan actually slept at the press while it was being run to make sure it all went well. There are many, many cases where arrays of images are suppose to show very subtle differences. These differences actually made it into print!!! Gobs of books like this refer to figure 1.1A and claim dramatic differences to figure 1.1B but when you look at them you can see no difference at all because the press work was so poor. Not so in this case! Wonderful production work.In short, buy this book, it might be too much for you now but you'll eventually want it later.FINAL NOTE: As of the date of this review the "Search Inside" feature shows the previous edition!!! Ignore it!
I read this book cover to cover and understood about two thirds of it. That may seem a poor score, but it's not, because almost all was new and very useful material. Once I get experienced in the techniques of this book, I am sure I will reread parts of it and understand more.This book covers techniques that I had not read anywhere else. Furthermore, it explains those techniques more extensively than anywhere else. Those explanations are great, because they make you understand what you do, instead of just apply a technique. Most Photoshop books don't take that route.Let me list what this book does and what it doesn't.- As the title says, it is all about "Correction". It will not tell you how to capture. Don't expect tips about white balance, ISO, F-stop setting, whether to shoot raw or JPEG etc. The book simply assumes a photograph taken, and tells you how to enhance it where necessary.- The title also contains the word "Color". That is somewhat too restrictive, because there is extensive covering of sharpening techniques, a chapter about black/white conversions and a lot about contrast enhancement.- The book tells you how to get realistic colors. If you are interested in artistic effects like a retro look etc. then don't expect to find much guidance here.- It clearly explains the characteristics of different color spaces, as background for effective corrections. Sometimes it can be helpful to convert an image to a different color space (CMYK or LAB) and do the work there. This is something I knew virtually nothing about before reading this book, but now feel much more confident in.- Understanding all the text requires a good knowledge and experience in Photoshop. That is not a bad thing at all, but it is important to realize before you buy.- It teaches not only to correct photos but also to effectively assess color. After reading this book, I can't help looking at images and thinking, "this looks way too blue" or "Wow, this certainly could use a correction in LAB".To summarize, this book does what it does: explaining color (and other) correction techniques, very, very well. This is one of the Photoshop books that I learned most of. I remember working on a photograph years ago, taken in JPEG with an incorrect WB setting. It cost me hours and the result was not satisfactory. After reading Dan Margulis' book, I restarted correcting this image and was able to get believeable and strong colors in a few minutes.The book is that good.Highly recommended.
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