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The Sculpture of Louise Nevelson: Constructing a Legend (Jewish Museum of New York)
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From Publishers Weekly
American sculptor and fine artist Louise Nevelson (1899-1988) played an integral role in 20th century art; this, the "most extensive study of Nevelson...in over twenty years," combines large, lush images of Nevelson's work with essays on her art and personal life. Many of the essays mention Nevelson's strong sense of self and the ways-both overt and implicit-that that sense presents itself in her artwork. Observational gems stud these essays, like editor and curator Rapaport's insight into Nevelson's work with foraged wood, "a material that she could command viscerally because of childhood associations with her father's work as a lumberman." Arthur C. Danto's essay, in which he shows how Nevelson struggled with 1960s art criticism, provides a picture of the sculptor both as a famous artist and as a vulnerable human being. For Nevelson newcomers, the best place to start is in the back, with Gabriel de Guzman's succinct but unhurried "Chronology of Louise Nevelson's Life," a year-by-year summary adorned with well-chosen personal photos. Comprehensive and evenly balanced between text and image, this is the volume Nevelson devotees have been waiting for. 140 color illustrations. Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
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From Booklist
*Starred Review* Louise Nevelson and her profoundly evocative black-wood sculptures were upfront and center in the 1970s and 1980s. Commanding in her dramatic scarves and robes, mink coats, and extravagant false eyelashes, the artist herself was a work of living sculpture. A pioneer in installation art, Nevelson transformed the humblest of materials, wood scraps, into intricate constructions with the complexity of cellular architecture. So powerful were Nevelson's finely detailed black, white, and gold room-filling wood sculptures, she was commissioned to create large outdoor works and built remarkably airy steel structures. But after her death in 1988, Nevelson was forgotten. Now, finally, she is reclaimed as the visionary she was in this suitably dazzling overview in which Rapaport and her superb contributors, including Arthur C. Danto, match measured biography with judicious critical commentary and superb photographs. Given to oracular and contradictory pronouncements, Nevelson herself remains a riddle. But her daring and transfiguring work, which finds beauty and value in the broken and the cast-off, speaks a universal language. The world is a richer place with Nevelson back in view. Donna SeamanCopyright © American Library Association. All rights reserved
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Product details
Series: Jewish Museum of New York
Hardcover: 256 pages
Publisher: Yale University Press; 1st ed edition (June 28, 2007)
Language: English
ISBN-10: 0300121725
ISBN-13: 978-0300121728
Product Dimensions:
9.8 x 1 x 11.2 inches
Shipping Weight: 3.6 pounds
Average Customer Review:
4.9 out of 5 stars
15 customer reviews
Amazon Best Sellers Rank:
#552,309 in Books (See Top 100 in Books)
The review from "Publishers Weekly" is not just hype but rather an excellent summation of this gem. Though another reviewer wished for more close-ups of Nevelson's sculptures, I was pleased with their number and really don't think more would have added much. I was also pleasantly surprised to find good coverage of Nevelson's etchings and metal sculptures. And it is always an added bonus when the text is well-written and insightful. All in all, THE SCULPTURE OF LOUISE NEVELSON: CONSTRUCTING A LEGEND is a must-have book for those interested in both the person and her oevre. --B. Evans, 7/19/07
Super book. I've loved Louise Nevelson's work but didn't know much about her. This book describes her entry into the art world, her process and history. Filled with images of many of her pieces, it is descriptive and a good read as well.
As a life-long Louise Nevelson fan this is an amazing review of her work. The photos are really wonderful to look through & represent her career very well. It's a great tribute to her and all that she accomplished. This book is really a treasure for any fan of her pieces.
If you like Nevelson, you'll enjoy this book.
Great book!
There is not a lot of information out about Nevelson. I was pleased to find and become owner of this item of information. Very enjoyable and worth the investment. A fascinating personality and life.
Nevelson's work, as I had seen it in books and other photos, never really impressed me. Then I saw a show of her work, for which this book is catalog - what a difference.Size matters - I knew that intellectually, but standing in front of these imposing works creates a subjective experience that no photo can capture. Walking around them changes perspective, too, giving a sense like one of those Zen gardens where no point of view presents all of the work's features. Then, at least in the "black" works, there's an odd paradox. If the works had been perfectly, 100% black and non-reflective, then there would have been nothing to see. Only the fact that they're not truly black exposes their mystery.The static museum display, even more than the book's photos, left me knowing that I had missed at least two aspects of these majestic works. First, their depth and structure only half-defines the shadows deep inside these works. The other half of the shadow's definition comes from the light - a constant in the museum gallery, freezing the shadows like insects in amber, whereas natural lighting would change throughout the day and let the shifting shadows come to life. Second, some of the installations seemed incomplete. Oh, the pieces of Dawn's Wedding Chapel were all there and presented well, but I felt that there must have been some original placement of the pieces that would define the interior of the chapel - the pieces' placement in the display that I saw lacked the consistent logic that I expected of Nevelson.More than just a catalog of the Nevelson show, this book provides insight into her origins, life, and career. Almost as much as Salvador Dali, Nevelson might well have been Nevelson's greatest creation - once success allowed it, her extravagant clothes, mask-like makeup, and signature scarf on her head worked together to create a unique persona. Beneath that, we still see the remarkable person and her groundbreaking work.-- wiredweird
This review relates to the Yale University Press hardcover.An excellent production: cloth over hardback boards in dustjacket with a sewn binding. Large format book, 238 pp on heavy paper, almost 4 pounds, color and some b&w illustrations throughout.Prose: "Louise Nevelson: A Story in Sculpture," "Louise Nevelson's Self-Fashioning: The Author of Her Own Life," "Black, White, Gold: Monochrome and Meaning in the Art of Louise Nevelson, "Three Artists Reflect on Louise Nevelson: Chakaia Booker, Mark di Suvero, and Ursula von Rydingsvard," and "Louise Nevelson's Public Art."15 page chronology of her life, 5 page Bibliography, Notes, Index.
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